Tag Archives: maintenance

Banjo: Percussions Other Cousin

Deering Goodtime II Banjo

Deering Goodtime II Banjo

 

The traditional four or five string banjo may look like a close cousin of the guitar, and in fact these two instruments do share many of the same qualities.  But what if I told you that the banjo is more closely related to the drum kit than the guitar?  Let me explain.

A drum as we would think of it today has a few very basic qualities slash criteria that it must meet.  Most commonly drums are cylindrical in shape and take advantage of a tension rod tuning system in order to stretch a skin over the hole of that cylinder.  In layman’s terms, sound is created by striking the batter head with a stick and the resulting vibrations of the head create noise.  Pitch can be adjusted by tightening or loosening the tension rods, which in turn tighten or loosen the drum head.

Banjo Collage

The most important factor at play when an individual sits down to drum is of course rhythm.  Much the same as becoming a great banjo player, a great drummer must be able to create a series of regular or irregular patterns in order to produce the most fitting rhythm for a given situation.

Like a drum, the banjo creates sound with the help of a tension rod tuning system and a thin drum head.  Instead of hitting the skin directly with a stick, the musician will pluck the strings, which will transfer the vibration to the bridge –located at the center of the head- and cause the skin to resonate.  Like a drum, different tones can be achieved with the banjo by adjusting the tension rods around the circular head.

Becoming a decent banjo player is much like becoming a good drummer.  One must drill rudimentary rhythms over and over again until they can be played at a reasonable speed.  Unlike the guitar which relies heavily on the player’s ability to fret chords using their fretting hand, the banjo requires more attention be paid to the strumming or plucking hand.

One of the most famous banjo rolls, the Scruggs roll –aptly named after the banjo master himself- is one of the first things many beginning players will attempt to master.  This banjo rhythm requires a ton of plucking hand dexterity in order to play it fast.  Much like practicing paradiddles on the snare drum, banjo players will “chop out” on specific rolls for hours without even thinking about the fretting aspect of the instrument.

You may notice in the accompanying photos that my practice open back banjo has a bunch of hand towels stuck in the back.  Like many other banjo players with roommates I have done this in order to reduce the overall volume of the instrument.  The towels are making contact with the back of the head and reducing the vibration from the strings creating a muffled tone.

Davidson Beginner Banjo Stuffed With Muting Hand Towels

Davidson Beginner Banjo Stuffed With Muting Hand Towels

As a drummer AND a banjo player myself I would argue any day that these two instruments are close cousins, if not siblings, as members of the instrument family.  They not only share many of the same physical features with regards to their construction, but they also require much of the same knowledge on the part of the musician on order to be played well.

If you’re a serious drummer looking to pick up another instrument as a hobby or simply want to expand your instrumental horizons, I would highly suggest you go out and get yourself a beginner’s banjo.  You’ll be glad you did.


Don’t Forget to Practice Pad

 

HQ RealFeel Practice Pad

HQ RealFeel Practice Pad

Drumming is not a hobby that one can simply dabble in and expect to become proficient at.  The difference between a hobbyist drummer and a lifestyle drummer all boils down to one thing, practice habits.  The best way to become a better drummer is to commit to setting aside time in your busy life to work on your technique alone.  If you’ve got musician friends and enjoy jamming alongside a band, that’s great.  Likely your skill level will improve through that activity.  However, I can’t stress enough the importance of spending some alone time with your kit, or with a practice pad.

The landscape of independent drum practice is dominated by the rubber practice pad.  It’s a great solution for those of us who want to really drill specific rhythms repeatedly. Because the rubber pad absorbs sound so well, neighbors, roommates, and girlfriends can still inhabit the same space while you drill the same rudiment over and over and over again.  The action of getting out from behind the kit and sitting down in front of a single practice pad can be liberating and foster creativity, as well as improve playing speed.  For those of you who have never experimented with practice pads, I would suggest picking one up and working your way through Vic Firth’s 40 Essential Snare Drum Rudiments.  Once you’ve mastered these rudiments on the pad, they can be fairly easily translated to the kit.

HQ RealFeel Practice Pad

HQ RealFeel Practice Pad

Rubber pads are not your only option for a focused practice session however.  I’ve recently fallen in love with a somewhat newer piece of drum practice technology, the “Corpsmaster Chop Out” sticks by Vic Firth.  These sticks are absolutely amazing when you’re on the road and don’t want to carry around a bulky practice pad, or when you’re just board in front of the television. They are available in a variety of different stick sizes from very light 5A twigs to the beefy Corpsmaster or Ralph Hardimon Signature marching logs.  To create these padded sticks Vic Firth has applied the same principle of shock absorbent rubber that practice pads have been using for years, and combined it with their famous corps master marching sticks.  The rubber tip allows you the freedom to play on just about any surface you can imagine without damaging it.  With these babies in hand you can chop out on the coffee table, cement walls of the venue, dashboard of the van, you name it these sticks can play on it.  The larger size and heavier weight of the wood make for a very satisfying workout too.

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Vic Firth Corpsmaster Chop Out Practice Sticks

 

If fancy practice gear just really isn’t your thing or you don’t have the funds to invest in a quality practice pad, there is of course the tried and true method of working out your speed off the kit.  The good ol’ fashioned pillow practice pad.  All you need is a pillow of any shape or size and a pair of sticks.  Because a pillow offers zero rebound, this method can help build muscle and improve speed.

Today, there are a variety of pads, sticks, putty’s, gels, and electronic pads available at reasonable prices.  Each one of these quiet practice options offers a unique benefit.  However, I can’t stress enough that it really isn’t the gear that produces results.  The only way to get the results you’re after is to create a disciplined practice routine, set goals for your practice sessions, and most importantly have a good attitude.  Always remember to have fun and keep pushing yourself.

Vic Firth Corpsmaster Chop Out

Here are few of my favorite practice pad set-ups including the HQ RealFeel pad I currently use and the Corpsmaster Chop Outs.

HQ (Evans) Realfeel Double Sided Practice Pad

Vic Firth Ralph Hardimon Signature- Chop Out Practice Sticks

Remo Putty Pad  (I can not personally vouch for the quality of this product)

 

 


Engineer’s Guide To Tuning and Damping Drums

Check out this great guide to drum tuning by Matt Seymour.  

Engineer’s Guide To Tuning and Damping Drums.

After getting a few tips and tricks from Seymour’s article, I couldn’t resist replacing the heads on my own kit.  It’s amazing how much better things sound when the drums are in tune. Sound on Sound is a great resource for drummers, it’s filled with informative articles.

Jeff tunes snare drum. Resonant head.

Jeff tunes snare drum. Resonant head.


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